Skywatchers: Community building with ABD Productions

Skywatchers is a community arts program conceived and directed by choreographer Anne Bluethenthal of ABD Productions, in which artist facilitators and Tenderloin residents co-create performance while discussing world events, forging relationships, and celebrating life. We are so grateful to have documented the Skywatchers events since its inception in 2011 and to produce this short documentary. Check it out, and get yourself on their contact list to be a part of this community!

Healthy Dancer Video Series

LRP produced these short, instructional, and adorable films conceived and directed by Kendall Alway, DPT of the ODC Healthy Dancers Clinic with Kimi Okada, the director of the ODC school. In three brief videos, the cuties from the ODC Dance Jam demonstrate some endlessly valuable tips to staying well. Take a few minutes out of your day... for your health!

Food + Rest = Energy

Expert exercises!

Top of your game alignment!

ODC/Dance highlights

In 2014, the LRP team captured ODC/Dance and collaborators' creation of a piece called Speaking Volumes, a site-specific dance on Alcatraz Island, as part of the Ai Weiwei exhibit @Large. Loren also captured and edited highlight videos for ODC's Invention of Wings and Dead Reckoning during their 2015 home season, Dance Downtown, at YBCA.

Watch and be reminded of this stalwart company's capacity for exquisite production and the dancers' ability to evoke humanity from the simplest to most full bodied movement!

Speaking Volumes (Alcatraz Island, part of Ai Weiwei exhibit - 2014):

Conceived and directed by Brenda Way in collaboration with KT Nelson, Kimi Okada, and RJ Muna.

Invention of Wings (Dance Downtown 2015):

Director: Brenda Way

Choreographers: Brenda Way & KT Nelson

Sound Score: Olafur Arnalds, Ben Frost, Ben Juodvalkis

Visuals: Ian Winters, RJ Muna

Light + Scenic Design: Matthew Antaky

Dead Reckoning (Dance Downtown 2015):

Choreography: KT Nelson

Commissioned Score + Cellist: Joan Jeanrenaud

Percussion: PC Munoz

Light + Scenic Design: Matthew Antaky

Costume Design + Production: Liz Brent

VIDF 2015

Loren had the privilege of joining the Nel Shelby Productions team once again at the Vail International Dance Festival this summer as editor and videographer.

Here are a few highlights that Loren edited (and helped document)...

Highlights from one of the shows "International Evening of Dance":

Bill Irwin!!! (remember Mr. Noodle on Sesame Street?!) with Memphis Jookers:

Interesting insight into Balanchine's "Apollo" with Heather Watts, former NYC Ballet principal dancer who worked with Balanchine:

What's the 211?

Both movement and performance in Ingrid Graham's dance film "211" are exacting and yet tender. In just a few short minutes, the choreography and imagery speak of such human themes as duality, relationship, and struggle with some lovely dancing to boot! See for yourself!

Director, Producer & Choreographer: Ingrid Graham

Dancers: Cassandra Naud & Gina Vidales

Cinematography & Editing: Loren Robertson Productions

Composer: Yaw Anoff

Music Production: Way Deep

Post:ballet's Sixth Season

New highlight video for Robert Dekker's Post Ballet! Their recent show "Six-Pack", presented at YBCA last month, was bursting with creative movement invention, captivating characterization, and wonderfully masterful dancing. We applaud these stellar artists!

https://vimeo.com/135388536

Music by Kodak to Graph

Dance for Every Child!

Longtime friend and colleague Nel Shelby of Nel Shelby Productions directed this new documentary: PS Dance, with Loren editing. It explores the holistic benefits of dance in the public school system, and it is bound to inspire, whether you are a dancer, educator, parent, or fellow human. Check it out on NYC's PBS Channel THIRTEEN and watch it streaming!

Produced and Directed by Nel Shelby

Photo credit: Christopher Duggan

Host: Paula Zahn

Consultant: Joan Finkelstein

Music Composition: Bob Novak & Gabriel Ruiz-Bernal

Funding: The Arnhold Foundation

Homo File

We’ve watched Seth Eisen’s Homo File: Chronicling the life of Samuel Steward develop over the years. Steward, a 20th century college professor, author, tattoo artist, and sexual rebel, laid early tracks for LGBTQ activism. And what a fascinating life he led! Have a looksee!

Written, designed, and directed by Seth Eisen

Embodiment Project

Other than "WOW!", what can we say? Nicole Kalymoon's Embodiment Project has been making some serious waves in the Bay Area dance scene and beyond. Check out this video as a preview of what is to come from these fierce artists. And then get your butt to dance class!

Music: A Tribe Called Red "Ndn Stakes (feat. Sitting Bear)"

Videography: Rising Star Productions and Loren Robertson Productions

Edit: Loren R. Robertson

Artistic Director: Nicole Klaymoon

Musical Director: Valerie Trout

Cascada de Flores - "Radio Flor"

We had the privilege to capture this beautiful show at Berkeley's wonderful music venue, Freight & Salvage and then worked with the musicians to craft a highlights reel to promote the show for future touring opportunities.
Enjoy a few moments with these charming and talented folks:

Arwen Lawrence: lead vocalist, dance, and rhythm guitars
Jorge Liceaga: lead guitars, voice, lead actor
Saul Sierra-Alonso: double bass, leoncita, chorus
Marco Diaz: trumpet, piano & chorus
Brian Rice: percussion & chorus
Nicole Fuentez: camera
Eric Koziol: camera

SAID SHE - Yolande Snaith

We've had the privilege of working with long-time University of California, San Diego dance professor Yolande Snaith over the past several years, in particular following the creation of her solo dance theatre work One Hundred Feet, a piece she made as she turned 50 years old.

LRP was commissioned to produce a short film about Yolande and the making of the work - a portrait of sorts. It's a beautiful ode to an accomplished choreographer/performer and holds the sentiments of all aging artists.

Worth a watch!

Choreography and Performance design: Yolande Snaith

Video Projection design: Natalia Valerdi

Lighting design: Wen-Ling Liao

Sound design: Nick Drashner

VIDEO TIP: Work Sample Compression For Uploading to Grant Application Websites

Sometimes grant applications accept links to video work samples, while other times one is required to upload a video file to the grantor's application website. Here's a step-by-step process to create the proper sized .MP4 (one of the appropriate file types for uploading to the web) while keeping as much quality integrity of the video as possible. **Note: Often there is a total upload limit, which means there will be some math to do on your part - see step #4 below

 

These steps apply to exporting an HD video file from both iMovie and Final Cut Pro

1. File - Export using Quicktime Conversion

2. A "Save" box opens, under "Format" choose "MPEG-4"

3. Next to "Format", Press the "Options" button

4. Fill in the following settings (from top to bottom)

File Format: choose MP4 (not MP4 (ISMA)) Video Format: h.264 Data Rate: enter 5000* Image Size: choose 1280x720 HD [leave "Preserve aspect ratio..." unchecked] Frame Rate: choose "Current" Key Frame: keep "every" checked and enter "30" frames

* This is the number that you will need to adjust to get the file size you want. Say you are uploading two 5min excerpts and are given a limit of 250MB total. That means they each will need to be under 125MB (totaling 250MB). After you enter this info but before saving, look at the bottom and there is a file size approximation in KB.

Use google to figure the long KB number translated to MB. For example you can enter into a google search "274989KB in MB" and it will tell you the conversion - in this case the file is a little more than 2x too big.

Adjust the Data Rate number - in this case, cut it in half and a little more, say 2200, and the File Size approximation is now 124839 KB which = 124.839 MB (a little under 125MB limit!)

The idea is to get as close to your given limit as possible, as that will make the video file of the highest quality working with the file size constraints.

 

5. Press "Video Options..." and choose Encoding Mode "Best Quality (Multi-pass)" - press OK

 

6. OPTIONAL for highest audio quality (do this step before doing your Data Rate math): Navigate to the Audio tab and change Output Sample Rate to 48.000 KHz

 

7. Press OK and then save

The compression may take several hours. Then you can upload the .MP4 to your online grant application!

[These are essentially the best settings for making video files to upload to Vimeo and Youtube as well, but entering the Data Rate between 5000-10,000.]

 

 

Happy grant writing and receiving!

 

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Here-Now: A Call to Action

For the Bay Area folks, here is a panel discussion put on by Emerging Arts Professionals on the "State of the Network: Tactics Towards Action" with Michelle Mansour, Executive Director, Root Division;  Lex Leifheit, Executive Director,SOMArts; Ramekon O’Arwisters, Social Practice Artist – Facilitated by Melonie and Melorra Green, African American Arts and Culture Complex. Worth a watch/listen if you are producing art of any kind in the Bay...